Buddha with Naga Serpent

Listed left is an depiction of the Lord Buddha in meditation, guarded by a 7 headed serpent. The naga is the guardian of the treasure of the earth, keeper of the energy stored in water, and the safe guarder of the prosperity of the Buddist region.

In Buddhist mythology, the king of the nagas, Muchalinda, saved and protected the Buddha from drowning, thus this depiction has become a very powerful symbol.

The image of Buddha sitting in meditation on the three coils of the naga, protected at the back and over his head by the seven-headed hood of the serpant, is one of the most venerated Buddhist icons of the Khmers, occurring frequently in Khmer art.

Listed right are statues of two mighty mythological lion figures, these mighty guardians are often depicted at front entrances safeguarding Buddhist temples, religious reliefs and shines throughout Cambodia.

Temples throughout Asia are adorned with the two powerful Lions, symbolic of power, strength and supremacy. The depiction of lions has historically been related to that of monarchs, wealth and royalty.

Listed left is a compelling reproduction of The Enlightened Buddha. The eloquent sculpture below shows a golden Buddha in a serene seated position. This relates to a period of time the Lord Buddha achieved complete enlightenment. This gesture of is commonly known as the Bhumisparsa mudra or the Calling of the Goddess of Earth.

Buddha is said to have risen to the highest level of meditation, during which he reviews his former existence and the cycles of rebirth. Perceiving the possibility of conquering birth and death, he is now certain of his deliverance. He comes into possession of the four noble truths, and wakes a man of perception, an enlightened one. He has become The Lord Buddha.

Serenity, composure, contemplative demeanor and a kind of confidence are the displayed in this classic depiction of the Enlightened Buddha. This sculpture measures approximately 7 inches height, and stems from The Royal University of Fine Arts in Phnom Penh, Cambodia. Age is unknown. Composition is said to be brass with an acrylic lacquer finish.

These ancient Khmer figures are elegantly decorated in Traditional Cambodian Dress. The Khmer Sam Pot, a skirt-like lower garment which is pulled over the legs and fastened around the waist, often worn during ceremonial occasions is an embodiment of Khmer Culture and is exhibited by the sculptures below.

The sculptures are adorned with Ceremonial Jewelry found on both arms just below each shoulder Gong Dai, which is regularly employed today during Traditional Classical Dance Performances. The Gong Dai are complemented by a striking necklace Sarong Kor which gracefully hangs below the golden sculptures neck and upper back.

Featured atop the Khmer sculpture is the Traditional Head Crown, customarily gold, fine and well crafted, seemingly a reflection to Ancient Indian influences, this crown merges into a flourish decorative flower which can house a Candle/Oil Lamp.

The two figures are kneeled with enigmatic smiles and welcoming hands symbolizing a peaceful welcoming gesture. The sculptures stem from the University of Fine Arts in Phnom Penh, Cambodia. Sculptures measure approximately 10 inches in height, the exact age is not known. Composition according to the University is Copper with an Acrylic Spray.